Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
243 ms. The Metropolitan Museum of Art, Collection API (Open Access)
6 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design Fragment for the Left Side of the 'Fonte Gaia' in Siena
Jacopo della Quercia (Jacopo di Pietro d’Angelo di Guarnieri) (d. 1438)
1415–16 · Pen and medium brown ink, brush and brown wash, over traces of leadpoint and ruling, on vellum, glued onto secondary paper support
Cleared · Public Domain
live
Bernardo Soranzo
Andrea Spinelli (d. 1572)
1540 · Bronze
Cleared · Public Domain
live
Seated youth with a lamp in the form of a snail shell
Andrea Briosco, called Riccio (d. 1532)
possibly late 16th–early 17th century · Bronze
Cleared · Public Domain
live
Virgin and child with angels
Unrecorded maker
ca. 1630 · Bronze, on a later gilt base
Cleared · Public Domain
live
Andiron with figure of Ceres (allegory of Peace) (one of a pair)
Girolamo Campagna (d. 1625)
possibly 17th century · Bronze
Cleared · Public Domain
live
Andiron with figure of Minerva (allegory of War) (one of a pair)
Girolamo Campagna (d. 1625)
possibly 17th century · Bronze
Cleared · Public Domain
live
Apollo with lyre
Tiziano Aspetti (d. 1607)
17th century (?) · Bronze, iron (lyre)
Cleared · Public Domain
live
Columbine and Pantalone
Meissen Manufactory (d. 9999)
ca. 1736 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Two Venetian magistrates standing in front of the Palazzo Ducale, from the 'Divers portraits gravés à l'eau-forte et dediés à M.Dominique Corvi'
Giovanni David (d. 1790)
1775 · Etching and aquatint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio (d. 1526)
ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Memorie della Vita del glorioso patriarca San Giuseppe sposo di Maria Vergine (…)
Giorgio Fossati (d. 1785)
1750 · Etching and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canal and Bridge of SS. Apostoli, Venice
Sir Muirhead Bone (d. 1953)
1916 · Drypoint; twentieth state of twenty-six states
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.