Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    436 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    241 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11,111 matching records exist across the two collections.

Results for "Two Views of a Bracket"12 records

Institutions answered newest-first by record, interleaved

Ansbach and Coburg, View (a) of two views (a&b). by Wenceslaus Hollar, The Metropolitan Museum of Art

Ansbach and Coburg, View (a) of two views (a&b).

Wenceslaus Hollar (d. 1677)

1627–36 · Etching, state undetermined as bottom half is lacking.

Cleared · Public Domain

live
The MetSimilar
Table or bracket clock by Edward East, The Metropolitan Museum of Art

Table or bracket clock

Edward East (d. 1697)

ca. 1665 · Case: ebonized fruitwood and rosewood with ebony moldings; Dial: gilded brass and silver; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Table or bracket clock by George Graham, The Metropolitan Museum of Art

Table or bracket clock

George Graham (d. 1751)

ca. 1720 · Case: walnut veneered on oak, with brass hardware; Dial: gilded and silvered brass; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Table or bracket clock with calendar by Daniel Delander, The Metropolitan Museum of Art

Table or bracket clock with calendar

Daniel Delander (d. 1733)

probably ca. 1720 · Case: walnut, oak veneered with walnut and burl walnut; stained wooden moldings; and brass fittings; Dial: gilded and silvered brass; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Design of fireworks: two views of a rocket by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design of fireworks: two views of a rocket

Anonymous, Italian, 17th century (d. 1700)

1650–1750 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, ruling and some compass construction

Cleared · Public Domain

live
The MetSimilar
Two Views of a Bracket by Richard de Lalonde, The Metropolitan Museum of Art

Two Views of a Bracket

Richard de Lalonde (d. 1790)

ca. 1780 · Pen and black ink, brush and gray wash, over graphite underdrawing

Cleared · Public Domain

live
The MetSimilar
Two-light wall bracket by Antoine-André Ravrio, The Metropolitan Museum of Art

Two-light wall bracket

Antoine-André Ravrio (d. 1814)

ca. 1804–14 · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Views of Vienna by Anton Kothgasser, The Metropolitan Museum of Art

Views of Vienna

Anton Kothgasser (d. 1851)

ca. 1820 · Glass, enameled; wood, steel, mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
Two-light wall bracket by an unrecorded maker, The Metropolitan Museum of Art

Two-light wall bracket

Unrecorded maker

after 1799 · Ivory

Cleared · Public Domain

live
The MetSimilar
Two Views (Side and Front) of a Hat on a Stand by Auguste Félix, The Metropolitan Museum of Art

Two Views (Side and Front) of a Hat on a Stand

Auguste Félix (d. 1870)

1866 · Pen and ink, brush and watercolor on wove paper

Cleared · Public Domain

live
The MetSimilar
Two Views of a Grand Foyer by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Two Views of a Grand Foyer

Jules-Edmond-Charles Lachaise (d. 1897)

1830–97 · Pen and ink on tracing paper, mounted on heavy wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Views of a Long-tailed Bird

Xie Zhiliu (d. 1997)

20th century · Drawing; pencil on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.