
Two Views of a Horse's Head; the Head of a Bearded Man in Profile
Anonymous, Italian, 16th century (d. 1600)
1550–1600 · Pen and brown ink, brush and brown wash, with some unrelated strokes of red chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
320 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,647 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Views of a Horse's Head; the Head of a Bearded Man in Profile
Anonymous, Italian, 16th century (d. 1600)
1550–1600 · Pen and brown ink, brush and brown wash, with some unrelated strokes of red chalk
Cleared · Public Domain
live
Plate 4, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4 from "Six Views in the Wood of the Hague"
Roelant Roghman (d. 1692)
ca. 1645–60 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The back of a galley, from Vaisseaux et vues marines, plate 4
Jean Le Pautre (d. 1682)
after 1659 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
'T Veer by Schoonhoven, Plate 4 from "Eight Landscapes with Views in the Provinces of Holland and Utrecht"
Roelant Roghman (d. 1692)
ca. 1645–92 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Vessels, ornaments, etc.], Plate 4
Jean Bernard Toro (d. 1731)
before 1731 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Views of the Head (plate 4), in Myologie Complette en Couleur et Grandeur Naturelle
Joseph Guichard Duverney (d. 1730)
1746 · Color mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rococo Ornament - Foliage, Plate 4
Pierre Philippe Choffard (d. 1809)
before 1767 · Crayon manner engraving in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views in Calcutta
Thomas Daniell (d. 1840)
1786–88 · Hand-colored aquatints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Views of the Same Head
Sir Hubert von Herkomer (d. 1914)
December 1880 · Etching with mezzotint; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 1, Plate 4
Maurice-Jacques-Yvan Camus
ca. 1933 · Pochoir
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Idées 2, Plate 4
Georges Darcy (d. 1999)
ca. 1933 · Pochoir
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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