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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    926 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    456 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 441 matching records exist across the two collections.

Results for "Two alternate Design for a wall elevatio"12 records

Institutions answered newest-first by record, interleaved

Design for a Wall Elevation with Grotesques by Anonymous, Italian, second half of the 16th century, The Metropolitan Museum of Art

Design for a Wall Elevation with Grotesques

Anonymous, Italian, second half of the 16th century (d. 1600)

ca. 1540–70 · Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper

Cleared · Public Domain

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The MetSimilar
Design for a Wall with Two Windows by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Wall with Two Windows

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink

Cleared · Public Domain

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The MetSimilar
Design for a Wall Decoration with Chimneypiece and Two Figures by Antoine Le Pautre, The Metropolitan Museum of Art

Design for a Wall Decoration with Chimneypiece and Two Figures

Antoine Le Pautre (d. 1679)

ca. 1650–70 · Pen and brown ink with brush and brown and gray wash

Cleared · Public Domain

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The MetSimilar
Design for a Wall Elevation over Two Floors by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for a Wall Elevation over Two Floors

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and black ink, brush and gray wash and watercolor, over graphite and ruled construction

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

ca. 1730–60 · Pen and brown ink, brush and brown, gray, yellow, and red wash, over leadpoint or graphite

Cleared · Public Domain

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The MetSimilar
Design for a Wall Elevation by Etienne de Lavallée-Poussin, The Metropolitan Museum of Art

Design for a Wall Elevation

Etienne de Lavallée-Poussin (d. 1793)

ca. 1770–80 · Pen and black ink with brush and gray, brown, green, and blue washes over graphite underdrawing

Cleared · Public Domain

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The MetSimilar
Two alternate Design for a wall elevation by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two alternate Design for a wall elevation

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray, mauve wash over leadpoint, with ruled and compass construction; vertical line on the center of the sheet in leadpoint on recto, and in black chalk on verso

Cleared · Public Domain

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The MetSimilar
Two Alternate Designs for a Wall with a Frame for a Painting by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for a Wall with a Frame for a Painting

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and gray wash, over graphite or leadpoint, with ruled and compass construction; framing lines in pen and dark gray ink; scale, at bottom, in pen and gray ink

Cleared · Public Domain

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The MetSimilar
Two alternate projects for a Cornice by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two alternate projects for a Cornice

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and dark brown ink, brush and brown, gray wash over leadpoint, with riled and compass construction; framing lines in pen and brown ink; scale at bottom of design, in pen and brown ink over lead point

Cleared · Public Domain

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The MetSimilar
Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso) by Leonardo Marini, The Metropolitan Museum of Art

Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso)

Leonardo Marini (d. 1797)

1774–90 · Pen and gray ink over black chalk with ruled and compass construction

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with Two Window Bays and a Chair (Second Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with Two Windows (Fifth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

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The MetSimilar

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