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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    4239 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 161 matching records exist across the two collections.

Results for "Two apostles and three semi-nude youths,"12 records

Institutions answered newest-first by record, interleaved

Fragment of the marble stele (grave marker) of a youth by an unrecorded maker, The Metropolitan Museum of Art

Fragment of the marble stele (grave marker) of a youth

Unrecorded maker

ca. 530 BCE · Marble, Hymettian

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Group of Toronto 305, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Group of Toronto 305

last quarter of 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragments of a kylix (drinking cup) by Koropi Painter, The Metropolitan Museum of Art

Terracotta fragments of a kylix (drinking cup)

Koropi Painter

second quarter of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragments of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragments of a kylix (drinking cup)

Unrecorded maker

520–500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta pelike (jar) by Underworld Painter, The Metropolitan Museum of Art

Terracotta pelike (jar)

Underworld Painter

ca. 330–310 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta skyphos (deep drinking cup) by APZ Painter, The Metropolitan Museum of Art

Terracotta skyphos (deep drinking cup)

APZ Painter

ca. 330–300 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Allegory of Triumph and Sacrifice by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Allegory of Triumph and Sacrifice

Andrea Briosco, called Riccio (d. 1532)

ca. 1520 · Copper alloy with reddish brown natural patina under a worn black lacquer or wax.

Cleared · Public Domain

live
The MetSimilar
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

ca. 1522 · Red chalk

Cleared · Public Domain

live
The MetSimilar
A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome) by Giovanni Lanfranco, The Metropolitan Museum of Art

A Bearded Prophet in Glory Attended by a Bishop, Two Other Male Saints, and Angels (Design for a Section of a Dome)

Giovanni Lanfranco (d. 1647)

1634–35 · Black chalk, partly reworked by the artist in pen and brown ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

An apostle and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two apostles and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two apostles and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni (d. 1660)

1642 · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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