
Earflare Frontal
Unrecorded maker
3rd–7th century · Gold, turquoise
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
367 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,046 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Earflare Frontal
Unrecorded maker
3rd–7th century · Gold, turquoise
Cleared · Public Domain
live
Earflare Frontal
Moche artist
250-850 CE · Gold
Cleared · Public Domain
live
Earflare Frontal
Moche artist
250-850 CE · Gold
Cleared · Public Domain
live
Earflare Frontal
Huastec artist(s)
900–1300 CE · Shell, red pigment (cinnabar), iron-based metal (inlays probably pyrite)
Cleared · Public Domain
live
Altar Frontal with Man of Sorrows and Saints
Unrecorded maker
ca. 1465 · Wool, linen, and metallic thread (gilt membrane on silk) on linen
Cleared · Public Domain
live
Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X
Master of the Die (d. 1560)
ca 1530–40 · Engraving; first state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two buffets, the one at left in frontal view with paired, superposed corner columns of the Tuscan and Ionic orders, the one at right seen from the side with superposed terms, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two buffets, the one at left in frontal view with two corner columns of the Corinthian order, the one at right seen from the side, with superposed columns of the Corinthian and Ionic order, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cabinets, the one at left in frontal view with terms on the cornerns and the lower part open, the one at right shown from the side with canellated Ionic columns on the corners, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two small cupboards, each with two doors, the one at left seen from the side, the one at right in frontal view with decorated panels, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two tables, the one at left small and on a square plan with the top supported by satyrs, the one at right large on a hexagonal plan, the top supported by columns, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two upright wall decorations, the one at left with a niche and a wash basin, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.