Earflare Frontal
Unrecorded maker
3rd–7th century · Gold, turquoise
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
539 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
392 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,232 matching records exist across the two collections.
Results for "Two cabinets, the one at left in frontal"12 records
Institutions answered newest-first by record, interleaved
Earflare Frontal
Moche artist
250-850 CE · Gold
Cleared · Public Domain
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Earflare Frontal
Moche artist
250-850 CE · Gold
Cleared · Public Domain
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Earflare Frontal
Huastec artist(s)
900–1300 CE · Shell, red pigment (cinnabar), iron-based metal (inlays probably pyrite)
Cleared · Public Domain
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Altar Frontal with Man of Sorrows and Saints
Unrecorded maker
ca. 1465 · Wool, linen, and metallic thread (gilt membrane on silk) on linen
Cleared · Public Domain
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Four putti, two embracing in front of a large garland, two behind, the one at left holding an arrow, the one at right a bow, from a series of tapestries made for Leo X
Master of the Die (d. 1560)
ca 1530–40 · Engraving; first state
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Six terms, the one at left encased in strapwork, the one at right with two heads kissing, plate 13, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...]
Hans Vredeman de Vries (d. 1606)
ca. 1565 · Etching; first state of two (Hollstein)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two buffets, the one at left in frontal view with paired, superposed corner columns of the Tuscan and Ionic orders, the one at right seen from the side with superposed terms, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two buffets, the one at left in frontal view with two corner columns of the Corinthian order, the one at right seen from the side, with superposed columns of the Corinthian and Ionic order, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cabinets, the one at left in frontal view with terms on the cornerns and the lower part open, the one at right shown from the side with canellated Ionic columns on the corners, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two small cupboards, each with two doors, the one at left seen from the side, the one at right in frontal view with decorated panels, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the base of the one at left is formed by two putti, plate 4 from "Vases ou burettes à la romaine"
Jean Le Pautre (d. 1682)
1661 · Etching; second state of four (Préaud)
In copyright
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