Game piece with two noblemen in profile
Unrecorded maker
mid-16th century · Boxwood, walnut
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
792 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
543 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,510 matching records exist across the two collections.
Results for "Two cruets in profile; the base of the o"12 records
Institutions answered newest-first by record, interleaved
Cruet stand with cruets
Unrecorded maker
ca. 1705–20 · Faience (tin-glazed earthenware); glass
Cleared · Public Domain
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Cruet frame and two cruets with covers
Unrecorded maker
ca. 1755 · Faience (tin-glazed earthenware)
Cleared · Public Domain
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Cruet-stand with cruets
Levavasseur (d. 1825)
ca. 1788 · Faience (tin-glazed earthenware)
Cleared · Public Domain
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![[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP254917.jpg)
[The Wilderness Battlefield]
G. O. Brown (d. 1889)
1866 · Albumen silver print from glass negative
Cleared · Public Domain
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![[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP254945.jpg)
[The Wilderness Battlefield]
G. O. Brown (d. 1889)
1866 · Albumen silver print from glass negative
Cleared · Public Domain
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![[The Wilderness Battlefield] by G. O. Brown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP254964.jpg)
[The Wilderness Battlefield]
G. O. Brown (d. 1889)
1866 · Albumen silver print from glass negative
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the base of the one at left is formed by two putti, plate 4 from "Vases ou burettes à la romaine"
Jean Le Pautre (d. 1682)
1661 · Etching; second state of four (Préaud)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the base of the one at left is formed by two putti, from Vases ou burettes à la romaine, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the one at left depicting the Baptism of Christ in a medallion, from Vases ou burettes à la romaine, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the one at right depicting Tobias and the Angel, from Vases ou burettes à la romaine, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of two figures in profile
Benigno Bossi (d. 1792)
1784 · Etching
In copyright
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