Profile Warrior Ornament
Unrecorded maker
6th–7th century · copper, shell
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
328 ms. The Metropolitan Museum of Art, Collection API (Open Access)
365 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,261 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Profile Warrior Ornament
Unrecorded maker
6th–7th century · copper, shell
Cleared · Public Domain
liveProfile Warrior Ornament
Unrecorded maker
6th–7th century · Silvered copper, shell
Cleared · Public Domain
live
Four grotesque heads in profile to left
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; only state
Cleared · Public Domain
live
Three profile heads, one in outline only
Wenceslaus Hollar (d. 1677)
1644–52 · Etching, first state of two
Cleared · Public Domain
live
Two youths in profile to left with two grotesque heads facing each other below
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two small cupboards, each with two doors, the one at left seen from the side, the one at right in frontal view with decorated panels, from Verscheidene Schreinwercke [...]
Paul Vredeman de Vries (d. 1630)
1658 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the base of the one at left is formed by two putti, plate 4 from "Vases ou burettes à la romaine"
Jean Le Pautre (d. 1682)
1661 · Etching; second state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the base of the one at left is formed by two putti, from Vases ou burettes à la romaine, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the one at left depicting the Baptism of Christ in a medallion, from Vases ou burettes à la romaine, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two cruets in profile; the one at right depicting Tobias and the Angel, from Vases ou burettes à la romaine, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two vases in profile; the one at left depicting a bust of Christ in a medallion, from Vases ou burettes à la romaine, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two vases in profile; the one at right depicting the Baptism of Christ and at left, the Washing of the Feet, from Vases ou burettes à la romaine, plate 3, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.