![Palatium Se Lugduni [Later changed to Termae Antoniae Imp], from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP874995.jpg)
Palatium Se Lugduni [Later changed to Termae Antoniae Imp], from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
442 ms. The Metropolitan Museum of Art, Collection API (Open Access)
490 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,887 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![Palatium Se Lugduni [Later changed to Termae Antoniae Imp], from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP874995.jpg)
Palatium Se Lugduni [Later changed to Termae Antoniae Imp], from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity
Monogrammist G.A. with the Caltrop (d. 1535)
Plate ca. 1530–1550 · Engraving
Cleared · Public Domain
live![Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP874916.jpg)
Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
live
Elevation for a Building with an Octogonal Cupola and two stoy Pendimenting Façades
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and gray ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing lines in pen and dark gray ink
Cleared · Public Domain
live
Finance Ministry, Burned. Exterior View
Alphonse J. Liébert (d. 1913)
1871 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two facades of buildings, city-houses or town halls, marked A-B, elevations, from Architectura oder Bauung der Antiquen auss dem Vitruvius, plate 19
Hans Vredeman de Vries (d. 1606)
Published 1619 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Capital Column and Base
James Harrison Dakin (d. 1852)
1832–33 · Marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Houses of Parliament and Government Offices, City of Toronto, U.C. [Upper Canada]
Thomas Young (d. 1860)
1836 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Residence of Governor George Clinton, in Pearl Street, Opposite Cedar Street, and Washington's Quarters on Assuming the Command of the Army in New York, from Valentine's Manual
George Hayward (d. 1872)
1854 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Houses in Paris, Place Ravignan
Juan Gris (d. 1927)
Paris, 1911 · Black chalk and gouache on white laid paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Williamsburg Bridge
Edward Hopper (d. 1967)
1928 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chrysler Building with Old Houses
Paul Grotz (d. 1990)
1928–29 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mexico transformed itself into a great city
Alfredo Zalce (d. 2003)
1947 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.