
Patterned frieze
Unrecorded maker
ca. 8th century BCE · Ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
281 ms. The Metropolitan Museum of Art, Collection API (Open Access)
316 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,192 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Patterned frieze
Unrecorded maker
ca. 8th century BCE · Ivory
Cleared · Public Domain
live
Fragment of a Frieze with Addorsed Lions
Unrecorded maker
12th century · Gypsum plaster; molded, traces of painting
Cleared · Public Domain
live
Frieze Tile with Two Hunters
Unrecorded maker
second half 13th century · Stonepaste; molded, inglaze painted in blue and turquoise, luster-painted on opaque white glaze
Cleared · Public Domain
live
Sagittarius (section of a zodiac frieze)
Unrecorded maker
1582 · Bronze
Cleared · Public Domain
live
Frieze with Half-Length Female Figure Holding Two Horns at Center
Theodor de Bry (d. 1598)
ca. 1590 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frieze at the top with two variant medallion designs, from Différents morceaux d'ornements à la romaine, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes depicting foliage with male figures at lions at top, from Frises, feuillages ou tritons marins, antiques et moderns, plate 5, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with a medallion depicting Pan and Syrinx at the top, from "Frises, feuillages ou tritons marins, antiques et moderns", plate 2
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with a mountain landscape at top, from Frises, feuillages et ornements à l'italienne, plate 4
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes, the frieze at top depicting a wedding procession of sea gods and the frieze at bottom depicting a battle of sea monsters, from Frises, feuillages ou tritons marins à la romaine, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes, the frieze at top depicting a wedding procession of sea gods and the frieze at bottom depicting a battle of sea monsters, from Frises, feuillages ou tritons marins à la romaine, plate 3, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Two Friezes, with Pattern of Alternating Ovals and Leaves in the Frieze at Top, and Paisley Motifs in the Frieze Below
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.