
Female Figure
Unrecorded maker
ca. 1850–1750 B.C. · Faience, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
345 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,214 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female Figure
Unrecorded maker
ca. 1850–1750 B.C. · Faience, paint
Cleared · Public Domain
live
Female Figure
Olmec artist(s)
1200-900 BCE · Ceramic
Cleared · Public Domain
live
Female Figure
Unrecorded maker
2nd century BCE–1st century CE · Ivory (walrus)
Cleared · Public Domain
live
Standing female figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
Standing Female Figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
Plate Depicting a Female Figure Riding a Fantastic Winged Beast
Unrecorded maker
probably 8th century · Silver; gilded, chased, and engraved, with applied elements
Cleared · Public Domain
live
Candelabra Grotesque with a Female Figure in a Niche and Two Sphinxes
Anonymous, Italian, 16th century (d. 1600)
1540 after · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Frieze with Half-Length Female Figure Holding Two Horns at Center
Theodor de Bry (d. 1598)
ca. 1590 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with a female figure riding a sea lion at top and Neptune in his chariot at bottom, from Frises, feuillages et ornements à l'italienne, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with a female figure riding a sea lion at top and Neptune in his chariot at bottom, plate 3 from "Frises, feuillages et ornements à l'italienne"
Jean Le Pautre (d. 1682)
17th century · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jomogoni female figure
Bamana numu (blacksmith)
15th–17th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure riding a quadruped
Dogon or Tellem blacksmith (?)
16th–19th century · Wood (Burseraceae family), applied organic materials
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.