Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    243 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,526 matching records exist across the two collections.

Results for "Two friezes with male and female figures"12 records

Institutions answered newest-first by record, interleaved

Plaque with two male figures supporting a roller by an unrecorded maker, The Metropolitan Museum of Art

Plaque with two male figures supporting a roller

Unrecorded maker

ca. 2000–1600 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Relief with two royal male figures by an unrecorded maker, The Metropolitan Museum of Art

Relief with two royal male figures

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures by Sebald Beham, The Metropolitan Museum of Art

Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures

Sebald Beham (d. 1550)

1500–1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Frieze with Male Figures and Two Horses by Polidoro da Caravaggio, The Metropolitan Museum of Art

Frieze with Male Figures and Two Horses

Polidoro da Caravaggio (d. 1548)

mid-16th century · Pen and brown ink, brown wash.

Cleared · Public Domain

live
The MetSimilar
Frieze with Two Female Figures Holding Books by Theodor de Bry, The Metropolitan Museum of Art

Frieze with Two Female Figures Holding Books

Theodor de Bry (d. 1598)

ca. 1590 · Engraving

Cleared · Public Domain

live
The MetSimilar
Procession, with a male and two female figures seated on a float by Anonymous, German, 16th century, The Metropolitan Museum of Art

Procession, with a male and two female figures seated on a float

Anonymous, German, 16th century (d. 1600)

16th century · Etching

Cleared · Public Domain

live
The MetSimilar
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between  Acanthus Rinceaux by Anonymous, Italian, Venetian, 17th century, The Metropolitan Museum of Art

Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux

Anonymous, Italian, Venetian, 17th century (d. 1700)

17th century (first half) · Pen and brown ink over leadpoint

Cleared · Public Domain

live
The MetSimilar
Standing Male and Female Figures by an unrecorded maker, The Metropolitan Museum of Art

Standing Male and Female Figures

Unrecorded maker

18th–19th century · Wood, beads

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two friezes with a putti and a male and female figure at bottom, from Frises, plate 4, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; undescribed state (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two friezes with male and female figures amidst rinceaux, from Frises, feuillages ou tritons marins à la romaine, plate 2, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two friezes with male and female figures amidst rinceaux, from Frises, feuillages ou tritons marins à la romaine, plate 2, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.

Jean Le Pautre (d. 1682)

1751 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Togu na support post with male and female figures

Mande numu (blacksmith)

19th–mid-20th century · Wood, metal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.