
Plaque with two male figures supporting a roller
Unrecorded maker
ca. 2000–1600 BCE · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
243 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,526 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plaque with two male figures supporting a roller
Unrecorded maker
ca. 2000–1600 BCE · Bronze
Cleared · Public Domain
live
Relief with two royal male figures
Unrecorded maker
ca. 1347–1330 BCE · Limestone, paint
Cleared · Public Domain
live
Frieze with a Horned Male Figure at Center with Two Tendrils Held at Either End by Winged Female Figures
Sebald Beham (d. 1550)
1500–1550 · Engraving
Cleared · Public Domain
live
Frieze with Male Figures and Two Horses
Polidoro da Caravaggio (d. 1548)
mid-16th century · Pen and brown ink, brown wash.
Cleared · Public Domain
live
Frieze with Two Female Figures Holding Books
Theodor de Bry (d. 1598)
ca. 1590 · Engraving
Cleared · Public Domain
live
Procession, with a male and two female figures seated on a float
Anonymous, German, 16th century (d. 1600)
16th century · Etching
Cleared · Public Domain
live
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux
Anonymous, Italian, Venetian, 17th century (d. 1700)
17th century (first half) · Pen and brown ink over leadpoint
Cleared · Public Domain
live
Standing Male and Female Figures
Unrecorded maker
18th–19th century · Wood, beads
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with a putti and a male and female figure at bottom, from Frises, plate 4, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with male and female figures amidst rinceaux, from Frises, feuillages ou tritons marins à la romaine, plate 2, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two friezes with male and female figures amidst rinceaux, from Frises, feuillages ou tritons marins à la romaine, plate 2, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.
Jean Le Pautre (d. 1682)
1751 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Togu na support post with male and female figures
Mande numu (blacksmith)
19th–mid-20th century · Wood, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.