
Four-Cornered Hat
Unrecorded maker
7th–10th century · Camelid hair
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
76 ms. The Metropolitan Museum of Art, Collection API (Open Access)
20 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 370 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Four-Cornered Hat
Unrecorded maker
7th–10th century · Camelid hair
Cleared · Public Domain
live
The Quaker and the Clarke
Thomas Rowlandson (d. 1827)
May 24, 1809 · Hand-colored etching
Cleared · Public Domain
live
Business and Pleasure
Thomas Rowlandson (d. 1827)
1813 · Hand-colored etching
Cleared · Public Domain
live
The Four Seasons of Love
Thomas Rowlandson (d. 1827)
September 15, 1814 · Hand-colored etching
Cleared · Public Domain
live
Business and Pleasure
Thomas Rowlandson (d. 1827)
[1813], reprint · Hand-colored etching
Cleared · Public Domain
liveCoatdress
Unrecorded maker
early 1830s · cotton
Cleared · Public Domain
liveDress
Unrecorded maker
ca. 1850 · cotton
Cleared · Public Domain
live
A fantastic painter, from 'A sketch from the Salon,' published in Le Charivari, May 11, 1865
Honoré Daumier (d. 1879)
May 11, 1865 · Lithograph on newsprint; second state of two (Delteil)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two little figures wearing hats, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Patience"
John Sloan (d. 1951)
1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Patience
John Sloan (d. 1951)
1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 28, Papier peint "L’Arche de Noé" et Papier peint "Amazone", composition de De Andrada, from "Papiers Peints et Tentures Modernes"
Henri Clouzot
1929 · Mixed media: pochoir, hand-colored lithograph, lithograph, commercial photo process
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.