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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    257 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 11,949 matching records exist across the two collections.

Results for "Two lovers on a bed, from "The Loves of"12 records

Institutions answered newest-first by record, interleaved

The Lovers by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

The Lovers

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1527–30 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Cupid and Psyche by Jacques-Louis David, The Cleveland Museum of Art

Cupid and Psyche

Jacques-Louis David (d. 1825)

1817 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two lovers on a bed, from "The Loves of the Gods" by Giulio Bonasone, The Metropolitan Museum of Art

Two lovers on a bed, from "The Loves of the Gods"

Giulio Bonasone (d. 1576)

ca. 1531–76 · Engraving

Cleared · Public Domain

live
The MetSimilar
Trilobed vessel with Two Lovers in a Landscape by an unrecorded maker, The Metropolitan Museum of Art

Trilobed vessel with Two Lovers in a Landscape

Unrecorded maker

ca. 1540–45 · Maiolica (tin-glazed earthenware), lustered

Cleared · Public Domain

live
The MetSimilar
Two lovers, a man pulling a woman toward a bed, from "The Loves of the Gods" by Giulio Bonasone, The Metropolitan Museum of Art

Two lovers, a man pulling a woman toward a bed, from "The Loves of the Gods"

Giulio Bonasone (d. 1576)

1531–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Two Lovers by Hishikawa Moronobu, The Metropolitan Museum of Art

Two Lovers

Hishikawa Moronobu (d. 1694)

ca. 1675–80 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis by Benoit Audran the Elder, The Metropolitan Museum of Art

Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis

Benoit Audran the Elder (d. 1721)

before 1741 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
Bed rug by N. L., The Metropolitan Museum of Art

Bed rug

N. L. (d. 9999)

1796 · Wool embroidered with wool

Cleared · Public Domain

live
The MetSimilar
Bed Cover (Palampore) by an unrecorded maker, The Metropolitan Museum of Art

Bed Cover (Palampore)

Unrecorded maker

18th century · Cotton; plain weave, mordant painted and dyed, resist-dyed

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bed Rug

M. B. (d. 9999)

1809 · Wool embroidered with wool

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Music Lovers

Theresa Bernstein (d. 2002)

1915 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lovers

Nancy Spero (d. 2009)

1960 · Gouache on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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