
The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1527–30 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
257 ms. The Metropolitan Museum of Art, Collection API (Open Access)
318 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11,949 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1527–30 · Etching; second state of two
Cleared · Public Domain
live
Cupid and Psyche
Jacques-Louis David (d. 1825)
1817 · Painting, oil on canvas
Cleared · CC0
live
Two lovers on a bed, from "The Loves of the Gods"
Giulio Bonasone (d. 1576)
ca. 1531–76 · Engraving
Cleared · Public Domain
live
Trilobed vessel with Two Lovers in a Landscape
Unrecorded maker
ca. 1540–45 · Maiolica (tin-glazed earthenware), lustered
Cleared · Public Domain
live
Two lovers, a man pulling a woman toward a bed, from "The Loves of the Gods"
Giulio Bonasone (d. 1576)
1531–60 · Engraving
Cleared · Public Domain
live
Two Lovers
Hishikawa Moronobu (d. 1694)
ca. 1675–80 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Leaf from Aedes Walpolianae mounted with two prints: (a): The Loves of Venus and Adonis; (b): The Loves of Venus and Adonis
Benoit Audran the Elder (d. 1721)
before 1741 · Engraving and etching
Cleared · Public Domain
live
Bed rug
N. L. (d. 9999)
1796 · Wool embroidered with wool
Cleared · Public Domain
live
Bed Cover (Palampore)
Unrecorded maker
18th century · Cotton; plain weave, mordant painted and dyed, resist-dyed
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bed Rug
M. B. (d. 9999)
1809 · Wool embroidered with wool
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Music Lovers
Theresa Bernstein (d. 2002)
1915 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lovers
Nancy Spero (d. 2009)
1960 · Gouache on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.