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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    242 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    511 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 282 matching records exist across the two collections.

Results for "Two male peasants holding pipes before a"12 records

Institutions answered newest-first by record, interleaved

Cylinder seal and modern impression: worshiper before a seated ruler or deity; seated female under a grape arbor by an unrecorded maker, The Metropolitan Museum of Art

Cylinder seal and modern impression: worshiper before a seated ruler or deity; seated female under a grape arbor

Unrecorded maker

ca. early 2nd millennium BCE · Serpentine

Cleared · Public Domain

live
The MetSimilar
Orthostat relief: seated figure holding a lotus flower by an unrecorded maker, The Metropolitan Museum of Art

Orthostat relief: seated figure holding a lotus flower

Unrecorded maker

ca. 10th−9th century BCE · Basalt

Cleared · Public Domain

live
The MetSimilar
Furniture plaque carved in relief with warrior holding lotuses by an unrecorded maker, The Metropolitan Museum of Art

Furniture plaque carved in relief with warrior holding lotuses

Unrecorded maker

ca. 8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Boy on a shell, holding a candlestick by an unrecorded maker, The Metropolitan Museum of Art

Boy on a shell, holding a candlestick

Unrecorded maker

mid-15th century · Bronze, partially oil-gilt

Cleared · Public Domain

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The MetSimilar
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above by Marco Dente, The Metropolitan Museum of Art

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above

Marco Dente (d. 1527)

ca. 1515–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above by Anonymous, Italian, 16th to early 17th century, The Metropolitan Museum of Art

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above

Anonymous, Italian, 16th to early 17th century (d. 1640)

ca. 1515–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Three Putti Holding Cross Before Two Male Saints by Alonso Cano, The Metropolitan Museum of Art

Three Putti Holding Cross Before Two Male Saints

Alonso Cano (d. 1667)

1601–67 · Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom

Cleared · Public Domain

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The MetSimilar
Two male peasants holding pipes before a fireplace, one seated with the pipe held to his mouth, to his left the other stands with the pipe in his right hand by David Teniers the Younger, The Metropolitan Museum of Art

Two male peasants holding pipes before a fireplace, one seated with the pipe held to his mouth, to his left the other stands with the pipe in his right hand

David Teniers the Younger (d. 1690)

after 1625–90 · Etching

Cleared · Public Domain

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The MetSimilar
Study of a Nude Man Holding Bottles by Antoine Watteau, The Metropolitan Museum of Art

Study of a Nude Man Holding Bottles

Antoine Watteau (d. 1721)

ca. 1715–16 · Black, red, and white chalk.

Cleared · Public Domain

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The MetSimilar
High Fun for John Bull, or the Republicans Put to their Last Shift by Thomas Rowlandson, The Metropolitan Museum of Art

High Fun for John Bull, or the Republicans Put to their Last Shift

Thomas Rowlandson (d. 1827)

November 12, 1798 · Hand-colored etching and aquatint

Cleared · Public Domain

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The MetSimilar
Going sick to the rear by Thomas Rowlandson, The Metropolitan Museum of Art

Going sick to the rear

Thomas Rowlandson (d. 1827)

1815 · Hand-colored etching and aquatint

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

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The MetSimilar

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