Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    357 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 435 matching records exist across the two collections.

Results for "Two pedestals of the Corinthian and Comp"10 records

Institutions answered newest-first by record, interleaved

Etrusco-Corinthian amphora by an unrecorded maker, The Metropolitan Museum of Art

Etrusco-Corinthian amphora

Unrecorded maker

620–610 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Helmet of the Corinthian Type and Pair of Greaves by an unrecorded maker, The Metropolitan Museum of Art

Helmet of the Corinthian Type and Pair of Greaves

Unrecorded maker

early 5th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two embossed pedestals and five consoles, plate 1, from Architectura 3e Stuck de oorden Tuschana

Hans Vredeman de Vries (d. 1606)

1578 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two embossed pedestals and two consoles, plate 2, from Architectura 3e Stuck de oorden Tuschana

Hans Vredeman de Vries (d. 1606)

1578 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two pedestals of the Corinthian and Composite order decorated with strapwork and grotesque panels, plate 1, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita

Hans Vredeman de Vries (d. 1606)

1581 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two pedestals of the Corinthian and Composite order with strapwork panels, plate 11, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita

Hans Vredeman de Vries (d. 1606)

1581 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two pedestals of the Corinthian and Composite order with strapwork panels, plate 6, from Das ander Buech Gemacht auff die zway Colonnen, Corinthia und Composita

Hans Vredeman de Vries (d. 1606)

1581 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two pedestals of the Ionic and Doric order, plate 1, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two pedestals of the Ionic and Doric order, plate 7, from Den Eersten Boeck Ghemaect opde Twee Columnen Dorica En Ionica

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two buffets, the one at left in frontal view with two corner columns of the Corinthian order, the one at right seen from the side, with superposed columns of the Corinthian and Ionic order, from Verscheidene Schreinwercke [...]

Paul Vredeman de Vries (d. 1630)

1658 · Engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.