
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1305 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
live
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)
Sebastiano Conca (d. 1764)
ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)
Cleared · Public Domain
live
The State Bed Chamber, Stowe Buckinghamshire
Joseph Nash (d. 1878)
1838 · Watercolor
Cleared · Public Domain
live![Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/SF2006_112d.jpg)
Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments
Cleared · Public Domain
live
Woman from the French Colonies
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Algerian onyx-marble, bronze, and enamel; white marble socle
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Urn
Frank Lloyd Wright (d. 1959)
ca. 1899 · Copper with zinc liner
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two sketches for the house of T.J. Mumford: elevation towards organ chamber and elevation towards console
Marsh and Gette (d. 1950)
ca. 1905–20 · Black ink with colored washes over light graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening cape
Myrbor (d. 1936)
ca. 1925 · silk, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening dress
Myrbor (d. 1936)
ca. 1926 · silk, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Evening ensemble
Myrbor (d. 1936)
1929 · silk, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Midsummer Madness"
Edward Molyneux (d. 1974)
1937 · silk
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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