
Double-Sided Gospel Leaf
Unrecorded maker
first half 14th century · Tempera on parchment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
213 ms. The Metropolitan Museum of Art, Collection API (Open Access)
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 24 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Double-Sided Gospel Leaf
Unrecorded maker
first half 14th century · Tempera on parchment
Cleared · Public Domain
live
A Roman Legion (from Trajan's Column), from "Speculum Romanae Magnificentiae"
Marco Dente (d. 1527)
16th century · Engraving
Cleared · Public Domain
live
Roman Horsemen Crossing a Bridge (from Trajan's Column), from "Speculum Romanae Magnificentiae"
Marco Dente (d. 1527)
16th century · Engraving
Cleared · Public Domain
live
Roman Horsemen, from Trajan's Column, from "Speculum Romanae Magnificentiae"
Marco Dente (d. 1527)
16th century · Engraving
Cleared · Public Domain
live
Roman Soldiers Fortifying their Camp, from Trajan's Column, from "Speculum Romanae Magnificentiae"
Marco Dente (d. 1527)
16th century · Engraving
Cleared · Public Domain
live
Daican War, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet (d. 1566)
1553 · Engraving; second state of two (Robert-Dumesnil)
Cleared · Public Domain
live
Naval Battle, from "Speculum Romanae Magnificentiae"
Michele Lucchese (d. 1564)
16th century · Etching and engraving
Cleared · Public Domain
live
The Triumph of Scipio, from "Speculum Romanae Magnificentiae"
Master of the Die (d. 1560)
16th century · Engraving; second state
Cleared · Public Domain
live
Pennsylvania Magazine or American Monthly Museum
Robert Aitken (d. 1802)
January–December 1775 · Illustrations: engraving
Cleared · Public Domain
live
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
Goya (Francisco de Goya y Lucientes) (d. 1828)
1810 · Etching, drypoint, burin, burnisher
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tabernacle ornamented with the Christ and soldiers at the center, from Tabernacles pour orner et embellir les autels, plate 6, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two soldiers with a canon, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.