
Relief fragment showing fishing scene
Unrecorded maker
ca. 2575–2465 BCE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
261 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 42 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief fragment showing fishing scene
Unrecorded maker
ca. 2575–2465 BCE · Limestone
Cleared · Public Domain
live
Albury with tree-stump in foreground
Wenceslaus Hollar (d. 1677)
1645 · Etching; first state of two
Cleared · Public Domain
live
Canal with an Angler and Two Swans
Rembrandt (Rembrandt van Rijn) (d. 1669)
1650 · Etching and drypoint; second state of two
Cleared · Public Domain
live
Two Swans
Wenceslaus Hollar (d. 1677)
1654–58 · Etching; second state of two
Cleared · Public Domain
live
Patience in a Punt
Thomas Rowlandson (d. 1827)
March 20, 1803 · Hand-colored etching
Cleared · Public Domain
live
Patience in a Punt
Thomas Rowlandson (d. 1827)
ca. 1803 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two swans swimming, with an old fishing weir on the river bank at left, and five swallows flying overhead
Anonymous, British, 18th century (d. 1800)
late 17th–early 18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Norman Castle
Frances Flora Bond Palmer (d. 1876)
ca. 1850–56 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Winter in the Country: The Old Grist Mill
George Henry Durrie (d. 1863)
1864 · Two-color lithograph with hand-coloring with touches of white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Old Barn Floor
Currier & Ives (d. 1907)
1868 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Old Credit "Played Out"
John Cameron (d. 1896)
1871 · Lithograph, mounted to linen
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of The Old Port, Saint-Tropez
Pierre Bonnard (d. 1947)
1911 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.