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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    419 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 10,061 matching records exist across the two collections.

Results for "Two variant designs for paneling with an"12 records

Institutions answered newest-first by record, interleaved

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Halved Variant Designs for an Altar with the Virgin of the Immaculate Conception in the Central Cartouche

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and gray wash over graphite; ruled and compass constructions in stylus-incised; partly reworked in pen and black ink

Cleared · Public Domain

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The MetSimilar
Two One Half Variant Designs for a Catafalque by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two One Half Variant Designs for a Catafalque

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and brown wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

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The MetSimilar
Two One Half Variant Designs for an Altar and a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Two One Half Variant Designs for an Altar and a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

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The MetSimilar
Design for a Frieze with Two Women Flanking an Urn by Giuseppe Cades, The Metropolitan Museum of Art

Design for a Frieze with Two Women Flanking an Urn

Giuseppe Cades (d. 1799)

ca. 1775–85 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variant designs with a putto riding a lion, plate 7 from "Ornements de panneaux à la romaine"

Jean Le Pautre (d. 1682)

1667 · Etching; first state of two (Préaud)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variant designs for paneling with a river god at left and a putto riding a sea lion at right, from Ornements de panneaux pour enrichir les lambris, plate 4

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variant designs for paneling with an putto amidst rinceaux, holding an oak branch, from Ornements de panneaux pour enrichir les lambris, plate 3, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variant designs for paneling with putti presenting a mirror to Mars or Apollo, from Ornements de panneaux pour enrichir les lambris, plate 5, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variant ornament designs with an term in profile and urn at left with foliate designs and festoons, bound in Oeuvres. Vol. IV

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variants for paneling designs with putti among foliage, from Livre de panneaux pour les lambris, plate 3, bound in Oeuvres. Vol. II

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two variant designs for paneling with an putto amidst rinceaux, holding an oak branch, from Ornements de panneaux pour enrichir les lambris, plate 3, in A Bound Collection of Print Series Including Cheminées et Lambris, Alcoves à la Romaine, Feuillages et autres ornemens..., etc.

Jean Le Pautre (d. 1682)

1751 · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

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