
Two Variants for the Design of a Horizontal Panel
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and gray wash over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
281 ms. The Metropolitan Museum of Art, Collection API (Open Access)
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,017 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Variants for the Design of a Horizontal Panel
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and gray wash over black chalk
Cleared · Public Domain
live
Design for a Silver Chandelier with Two Variants
George Wickes (d. 1761)
ca. 1742–45 · Red and black chalk
Cleared · Public Domain
live
Two halved variants for a Chapel
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace ornamented with a rectangular painting representing Mucius Scaevola burning his hand, from Grandes cheminées à la romaine, plate 6
Jean Le Pautre (d. 1682)
published 1663 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace ornamented with a rectangular painting representing Mucius Scaevola burning his hand, from Grandes cheminées à la romaine, plate 6
Jean Le Pautre (d. 1682)
published 1663 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace ornamented with a rectangular painting representing Mucius Scaevola burning his hand, plate 6 from 'Grandes cheminées à la romaine', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
1663 · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace with a painting depicting Marcus Curtius, from Grandes cheminées à la romaine, plate 4
Jean Le Pautre (d. 1682)
published 1663 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace with a painting depicting Marcus Curtius, plate 4 from "Grandes cheminées à la romaine"
Jean Le Pautre (d. 1682)
published 1663 · Etching; first state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two variants for a fireplace with a mantle ornamented with a vase, plate 5 from 'Cheminées à la moderne', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5, from "Nouveau livre de cheminées à la mode"
François II de Poilly (d. 1741)
before 1741 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 6, from "Nouveau livre de cheminées à la mode"
François II de Poilly (d. 1741)
before 1741 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a fireplace wall
Louis C. Tiffany (d. 1933)
1892-1932 · Watercolor, ink and graphite on paper, mounted on board
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.