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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    509 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    490 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,625 matching records exist across the two collections.

Results for "Ugolino and His Sons"12 records

Institutions answered newest-first by record, interleaved

The Crucifixion by Ugolino da Siena, The Metropolitan Museum of Art

The Crucifixion

Ugolino da Siena (d. 1327)

ca. 1315–20 · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII) by Pierino da Vinci, The Cleveland Museum of Art

The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII)

Pierino da Vinci (d. 1553)

c. 1550 · Sculpture, Terracotta

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Last Supper by Ugolino da Siena (Ugolino di Nerio), The Metropolitan Museum of Art

The Last Supper

Ugolino da Siena (Ugolino di Nerio) (d. 1327)

ca. 1325 · Tempera and gold on wood

Cleared · Public Domain

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The MetSimilar
Saint Matthew(?) by Ugolino da Siena (Ugolino di Nerio), The Metropolitan Museum of Art

Saint Matthew(?)

Ugolino da Siena (Ugolino di Nerio) (d. 1327)

late 1320s · Tempera on wood, gold ground

Cleared · Public Domain

live
The MetSimilar
[George Washington at his tomb] by Enoch Wood & Sons, The Metropolitan Museum of Art

[George Washington at his tomb]

Enoch Wood & Sons (d. 1846)

ca. 1818–ca. 1846 · Earthenware, transfer-printed

Cleared · Public Domain

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The MetSimilar
[George Washington at his tomb] by Enoch Wood & Sons, The Metropolitan Museum of Art

[George Washington at his tomb]

Enoch Wood & Sons (d. 1846)

ca. 1818–ca. 1846 · Earthenware, transfer-printed

Cleared · Public Domain

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The MetSimilar
Pietà by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Pietà

Jean-Baptiste Carpeaux (d. 1875)

1864 · Terracotta

Cleared · Public Domain

live
The MetSimilar
Ugolino and His Sons by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Ugolino and His Sons

Jean-Baptiste Carpeaux (d. 1875)

1865–67 · Saint-Béat marble

Cleared · Public Domain

live
The MetSimilar
Study for the modeling stand of the Ugolino group by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Study for the modeling stand of the Ugolino group

Jean-Baptiste Carpeaux (d. 1875)

19th century · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Ugolino and his Sons: Fifth Day (recto); Dante and Virgil: Anatomical Studies (verso) by Auguste Rodin, The Metropolitan Museum of Art

Ugolino and his Sons: Fifth Day (recto); Dante and Virgil: Anatomical Studies (verso)

Auguste Rodin (d. 1917)

ca. 1875–1880 · Pen and brown ink, graphite, and traces of brown ink wash on graph paper

Cleared · Public Domain

live
The MetSimilar
Saint Tarcisius by Alexandre Falguière, The Metropolitan Museum of Art

Saint Tarcisius

Alexandre Falguière (d. 1900)

ca. 1880 · Marble

Cleared · Public Domain

live
The MetSimilar
Ugolino by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Ugolino

Jean-Baptiste Carpeaux (d. 1875)

19th century · Plaster, painted black

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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