
Terracotta amphora (jar)
Nikoxenos Painter
ca. 500 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
535 ms. The Metropolitan Museum of Art, Collection API (Open Access)
265 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta amphora (jar)
Nikoxenos Painter
ca. 500 BCE · Terracotta
Cleared · Public Domain
live
Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d'Ulysee, Chateau de Fontainebleau
Francesco Primaticcio (d. 1570)
1555–60 · Red chalk highlighted with white gouache, on red-washed paper
Cleared · Public Domain
live
The Three Fates: Clotho, Lachesis and Atropos
Jan Muller (d. 1628)
ca. 1589 · Engraving; third state of four
Cleared · Public Domain
live
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn (d. 1658)
before 1654 · Black chalk and gray wash; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
Cleared · Public Domain
live
The Sacrifice of Polyxena
Giovanni Francesco Romanelli (d. 1662)
1662 · Oil on canvas
Cleared · Public Domain
live
The Sacrifice of Polyxena
Giovanni David (d. 1790)
1776 · Etching and aquatint
Cleared · Public Domain
live
Death of Socrates
Jean-Baptiste Joseph Wicar (d. 1834)
ca. 1782–92 · Black chalk
Cleared · Public Domain
live
Ulysses Entering Troy with the Death of Astyanax
Giuseppe Piattoli (d. 1823)
1785–1800 · Pen and brown ink, brush and brown wash (recto); faint black chalk sketch of same subject (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Terracotta neck-amphora (jar)
Painter of London B 235
ca. 530 BCE · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Death of Aegisthus and Clytemnestra
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Death of Socrates
Jean-Baptiste Joseph Wicar (d. 1834)
ca. 1782–92 · Black and white chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cavalry Charge
Henry Merwin Shrady (d. 1922)
1902–16, cast 1924 · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.