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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    535 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Ulysses Entering Troy with the Death of"12 records

Institutions answered newest-first by record, interleaved

Terracotta amphora (jar) by Nikoxenos Painter, The Metropolitan Museum of Art

Terracotta amphora (jar)

Nikoxenos Painter

ca. 500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d'Ulysee, Chateau de Fontainebleau by Francesco Primaticcio, The Metropolitan Museum of Art

Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a Destroyed Fresco in the Galerie d'Ulysee, Chateau de Fontainebleau

Francesco Primaticcio (d. 1570)

1555–60 · Red chalk highlighted with white gouache, on red-washed paper

Cleared · Public Domain

live
The MetSimilar
The Three Fates: Clotho, Lachesis and Atropos by Jan Muller, The Metropolitan Museum of Art

The Three Fates: Clotho, Lachesis and Atropos

Jan Muller (d. 1628)

ca. 1589 · Engraving; third state of four

Cleared · Public Domain

live
The MetSimilar
The Sack of Troy: Pyrrhus Killing Priam by Franz Cleyn, The Metropolitan Museum of Art

The Sack of Troy: Pyrrhus Killing Priam

Franz Cleyn (d. 1658)

before 1654 · Black chalk and gray wash; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer

Cleared · Public Domain

live
The MetSimilar
The Sacrifice of Polyxena by Giovanni Francesco Romanelli, The Metropolitan Museum of Art

The Sacrifice of Polyxena

Giovanni Francesco Romanelli (d. 1662)

1662 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Sacrifice of Polyxena by Giovanni David, The Metropolitan Museum of Art

The Sacrifice of Polyxena

Giovanni David (d. 1790)

1776 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Death of Socrates by Jean-Baptiste Joseph Wicar, The Metropolitan Museum of Art

Death of Socrates

Jean-Baptiste Joseph Wicar (d. 1834)

ca. 1782–92 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Ulysses Entering Troy with the Death of Astyanax by Giuseppe Piattoli, The Metropolitan Museum of Art

Ulysses Entering Troy with the Death of Astyanax

Giuseppe Piattoli (d. 1823)

1785–1800 · Pen and brown ink, brush and brown wash (recto); faint black chalk sketch of same subject (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Terracotta neck-amphora (jar)

Painter of London B 235

ca. 530 BCE · Terracotta

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Death of Aegisthus and Clytemnestra

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Death of Socrates

Jean-Baptiste Joseph Wicar (d. 1834)

ca. 1782–92 · Black and white chalk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cavalry Charge

Henry Merwin Shrady (d. 1922)

1902–16, cast 1924 · Bronze

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.