
Escarmouche dans un Cirque (Skirmish in a Circus), from "Les Caprices" Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
324 ms. The Metropolitan Museum of Art, Collection API (Open Access)
379 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 55 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Escarmouche dans un Cirque (Skirmish in a Circus), from "Les Caprices" Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
Cleared · Public Domain
live
Escarmouche dans un Cirque (Skirmish in the Circus), from "Les Caprices" Series B, The Nancy Set
Jacques Callot (d. 1635)
1617–20 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Reverse Copy of Escarmouche dans un Circque (Skirmish in a Circus), from "Les Caprices"
Anonymous
17th century · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Escarmouche dans un Cirque (Skirmish in a Circus), from Les Caprices Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Escarmouche dans un Cirque (Skirmish in the Circus), from "Les Caprices Series B, The Nancy Set"
Jacques Callot (d. 1635)
1617–20 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reverse Copy of Escarmouche dans un Circque (Skirmish in a Circus), from Les Caprices
Anonymous
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Un Nid Dans les Blés, from Le Dimanche, published in La Caricature provisoire no. 31, June 2, 1839, plate 2
Paul Gavarni [Chevalier] (d. 1866)
June 2, 1839 · Lithograph; first state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Un Nid dans les Blés, from Le Dimanche, published in La Caricature, June 2, 1839, plate 2
Paul Gavarni [Chevalier] (d. 1866)
June 2, 1839 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Un Bouquiniste dans l'Ivresse, from Les Beaux Jours de la Vie, published in Le Charivari, November 5, 1844
Honoré Daumier (d. 1879)
November 5, 1844 · Lithograph; third state of three (Delteil)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Un défenseur... causant... dans son cabinet habituel, from Les Gens de Justice, published in "Le Charivari"
Honoré Daumier (d. 1879)
November 1, 1846 · Lithograph; second state of two (Delteil)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
J'suis un pas-grand-chose, moi!, from "Ce Qui Se Fait dans Les Meilleures Sociétés", Masques et Visages, plate 5, bound in Oeuvres Nouvelles, vol. III
Paul Gavarni [Chevalier] (d. 1866)
1853–54 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Boy with a Cat]
Dora Maar (d. 1997)
1934 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.