Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
126 ms. The Metropolitan Museum of Art, Collection API (Open Access)
348 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 29 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deuxième Cahier du Recueil d'Ornemens; Guichets des Croisées des Thuileries; Trophées (Roundels decorated with trophies from the Tuilerie Palace)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dixième Cahier du Recueil d'Ornemens: Trophées du Bosquet des Domes, dans le Parc de Versailles (Designs for trophies taken from the marble balustrade in the Bosquet des Domes in the gardens of the Palace of Versailles)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 1 and 2 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens; Frise qui est à la Vigne Medicis (Frieze from the Medicean vineyard [at the Villa Medici, Rome])
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Base qui est au Baptistaire de Constantine (Base of a Column at the Lateran Baptistery, Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Ornements de la Colonne Trajane (Ornaments from Trajan's Column)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Receuil d'Ornemens: Chapiteau Corinthièn Moderne vû sur l'angle (Modern Corinthian Capital seen at an angle)
André-Louis Caillouet (d. 1817)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Receuil d'Ornemens: Chapiteau des quattre Colonnes du Milieu de la Salle des Thermes de Diocletien à Rome (Capital of the Four Columns in the Center of the Nave of the Baths of Diocletian in Rome)
Jean-Baptiste Lucien (d. 1806)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sixième Cahier du Recueil d'Ornemens: Guichets des Croisées de Clagny; Trophées (Designs for trophies taken from decorated wall panels at the Castle of Clagny)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recueil d'Ornemens: Complete Portfolio of Twelve Series of Architectural Ornaments, collected in Rome and France
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une question de priorité au sujet de la polychromie photographique de M. Léon Vidal : lettre à la Société française de photographie
Louis Ducos Du Hauron (d. 1920)
1876 · Printed book
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.