Triton
Giambologna (d. 1608)
1590s · Bronze
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
300 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
547 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Results for "Une ruelle au pied de la Cathédrale de B"9 records
Institutions answered newest-first by record, interleaved
Table
Pierre Gole (d. 1684)
ca. 1660 · Oak and fruitwood veneered with tortoiseshell, stained and natural ivory, ebony, and other woods; gilt bronze
Cleared · Public Domain
liveThe MetSimilar
Armchair (fauteuil à la reine)
Unrecorded maker
ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)
Cleared · Public Domain
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Wall clock (pendule en cartel)
Jean Godde l'aîné (d. 1749)
ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel
Cleared · Public Domain
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Commode à vantaux
David Roentgen (d. 1807)
ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deuxième Cahier du Recueil d'Ornemens; Guichets des Croisées des Thuileries; Trophées (Roundels decorated with trophies from the Tuilerie Palace)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une ruelle au pied de la Cathédrale de Beauvais (A Walkway by the Cathedral of Beauvais)
Auguste-Louis Lepère (d. 1918)
1905 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une Ruelle au pied de la Cathédrale de Beauvais (A Walkway by the Cathedral of Beauvais)
Auguste-Louis Lepère (d. 1918)
ca. 1905 · Etching; second state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La carte surrealiste : première série
Georges Hugnet (d. 1974)
1937
In copyright
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1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.