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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1533 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Unfinished Statuette"11 records

Institutions answered newest-first by record, interleaved

Seated Statue of King Menkaure by an unrecorded maker, The Metropolitan Museum of Art

Seated Statue of King Menkaure

Unrecorded maker

ca. 2490–2472 BCE · Indurated limestone

Cleared · Public Domain

live
The MetSimilar
Unfinished Statuette by an unrecorded maker, The Metropolitan Museum of Art

Unfinished Statuette

Unrecorded maker

ca. 1980–1975 B. C. · Limestone, ink

Cleared · Public Domain

live
The MetSimilar
Fragment of a partly unfinished limestone statuette of a silen by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a partly unfinished limestone statuette of a silen

Unrecorded maker

ca. 330–30 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Saint John by an unrecorded maker, The Metropolitan Museum of Art

Saint John

Unrecorded maker

late 15th century · Bronze, partially oil-gilt, on a later stone base

Cleared · Public Domain

live
The MetSimilar
Saint John by Neroccio de' Landi, The Metropolitan Museum of Art

Saint John

Neroccio de' Landi (d. 1500)

late 15th century · Bronze, partially fire-gilt

Cleared · Public Domain

live
The MetSimilar
The Virgin Mary by Neroccio de' Landi, The Metropolitan Museum of Art

The Virgin Mary

Neroccio de' Landi (d. 1500)

late 15th century · Bronze, partially fire-gilt

Cleared · Public Domain

live
The MetSimilar
A prophet by Tiziano Minio, The Metropolitan Museum of Art

A prophet

Tiziano Minio (d. 1552)

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Pluto and Cerberus by Tiziano Aspetti, The Metropolitan Museum of Art

Pluto and Cerberus

Tiziano Aspetti (d. 1607)

ca. 1588 · Bronze, dark brown patina

Cleared · Public Domain

live
The MetSimilar
The Thinker (Le Penseur) by Auguste Rodin, The Metropolitan Museum of Art

The Thinker (Le Penseur)

Auguste Rodin (d. 1917)

1904 · Plaster

Cleared · Public Domain

live
The MetSimilar
Pygmalion and Galatea by Auguste Rodin, The Metropolitan Museum of Art

Pygmalion and Galatea

Auguste Rodin (d. 1917)

modeled 1889, carved ca. 1908–9 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Statuette of seated man

Unrecorded maker

ca. 1981–1900 B.C. · Limestone

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.