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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    472 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    281 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Unidentified Sketch (from Whistler Album"12 records

Institutions answered newest-first by record, interleaved

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Hooded Male Head (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Hooded Male Head (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Hooded Male Head (from Sketches on The Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Hooded Male Head (from Sketches on The Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Mathmatical Computaions; Sketch of a Steer; Partial Unidentified Text (from Sketchbook) by James McNeill Whistler, The Metropolitan Museum of Art

Mathmatical Computaions; Sketch of a Steer; Partial Unidentified Text (from Sketchbook)

James McNeill Whistler (d. 1903)

1854–55 · Brown and black ink and graphite on dark off-white-tan wove paper

Cleared · Public Domain

live
The MetSimilar
Old Woman and Child in Oval (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Old Woman and Child in Oval (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is an irregular fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
Unidentified Sketch (from Whistler Album) by an unrecorded maker, The Metropolitan Museum of Art

Unidentified Sketch (from Whistler Album)

Unrecorded maker

1854–55 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
Unidentified Sketch, Curvilinear in Form (from Whistler Album) by an unrecorded maker, The Metropolitan Museum of Art

Unidentified Sketch, Curvilinear in Form (from Whistler Album)

Unrecorded maker

1854–55 · Graphite on paper

Cleared · Public Domain

live
The MetSimilar
View of a Coast Line (from Sketches on the Coast Survey Plate) by James McNeill Whistler, The Metropolitan Museum of Art

View of a Coast Line (from Sketches on the Coast Survey Plate)

James McNeill Whistler (d. 1903)

1854–55 · Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.

Cleared · Public Domain

live
The MetSimilar
The Unsafe Tenement (The Old Farm) by James McNeill Whistler, The Metropolitan Museum of Art

The Unsafe Tenement (The Old Farm)

James McNeill Whistler (d. 1903)

1858 · Etching on tan chine on white wove paper (chine collé); third state of four (Glasgow)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

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