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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    408 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    426 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 395 matching records exist across the two collections.

Results for "Uninscribed Overseer Shabti"12 records

Institutions answered newest-first by record, interleaved

Overseer Shabti of Nauny by an unrecorded maker, The Metropolitan Museum of Art

Overseer Shabti of Nauny

Unrecorded maker

ca. 1051–1002 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Overseer Shabti of Nauny by an unrecorded maker, The Metropolitan Museum of Art

Overseer Shabti of Nauny

Unrecorded maker

ca. 1051–1002 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Overseer Shabti of Nauny by an unrecorded maker, The Metropolitan Museum of Art

Overseer Shabti of Nauny

Unrecorded maker

ca. 1051–1002 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Overseer Shabti of Nauny by an unrecorded maker, The Metropolitan Museum of Art

Overseer Shabti of Nauny

Unrecorded maker

ca. 1051–1002 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Overseer Shabti of Nauny by an unrecorded maker, The Metropolitan Museum of Art

Overseer Shabti of Nauny

Unrecorded maker

ca. 1051–1002 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Overseer Shabti of Nauny by an unrecorded maker, The Metropolitan Museum of Art

Overseer Shabti of Nauny

Unrecorded maker

ca. 1051–1002 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Uninscribed shabti by an unrecorded maker, The Metropolitan Museum of Art

Uninscribed shabti

Unrecorded maker

ca. 1080–721 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Shabti, uninscribed by an unrecorded maker, The Metropolitan Museum of Art

Shabti, uninscribed

Unrecorded maker

664–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Overseer Shabti

Unrecorded maker

ca. 1080–721 BCE · Pottery

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Uninscribed Overseer Shabti

Unrecorded maker

ca. 1200–721 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Uninscribed Overseer Shabti

Unrecorded maker

ca. 1200–721 BCE · Blue faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shabti, uninscribed

Unrecorded maker

522–343 BCE · Faience

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.