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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    294 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    269 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 96 matching records exist across the two collections.

Results for "Untitled, # 17"12 records

Institutions answered newest-first by record, interleaved

(17) Untitled by Luigi Pesce, The Metropolitan Museum of Art

(17) Untitled

Luigi Pesce (d. 1891)

1840s–60s · Albumen silver print

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief with robed figure holding shield, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled C: Le Mythe de la Roche Percée

Yves Tanguy (d. 1955)

1947 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled image for Le Grande Passage

Yves Tanguy (d. 1955)

1954 · Color etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled image for Le Grande Passage

Yves Tanguy (d. 1955)

1954 · Color etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, Tam 1711II State II (17/20)

Frank Lobdell (d. 2013)

1966 · Lithograph; second state; 17/20

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, Tam 1746 State I (17/20)

Frank Lobdell (d. 2013)

1966 · Lithograph; first state; 17/20

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Jackson Pollock (d. 1956)

1944–45, printed 1967 · Engraving and drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

UNTITLED, MARCH 17, 1968

Bruce Conner (d. 2008)

1968 · Black marker on black paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, # 17

Lucas Samaras (d. 2024)

1975 · Brush and black ink, black ink wash, and metallic-colored paint on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Pins)

Tara Donovan (d. 9999)

2004 · #17 steel dressmaker pins

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (17)

Gregory Crewdson (d. 9999)

2009 · Inkjet print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.