
(17) Untitled
Luigi Pesce (d. 1891)
1840s–60s · Albumen silver print
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
294 ms. The Metropolitan Museum of Art, Collection API (Open Access)
269 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 96 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

(17) Untitled
Luigi Pesce (d. 1891)
1840s–60s · Albumen silver print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief with robed figure holding shield, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled C: Le Mythe de la Roche Percée
Yves Tanguy (d. 1955)
1947 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled image for Le Grande Passage
Yves Tanguy (d. 1955)
1954 · Color etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled image for Le Grande Passage
Yves Tanguy (d. 1955)
1954 · Color etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, Tam 1711II State II (17/20)
Frank Lobdell (d. 2013)
1966 · Lithograph; second state; 17/20
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, Tam 1746 State I (17/20)
Frank Lobdell (d. 2013)
1966 · Lithograph; first state; 17/20
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Jackson Pollock (d. 1956)
1944–45, printed 1967 · Engraving and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
UNTITLED, MARCH 17, 1968
Bruce Conner (d. 2008)
1968 · Black marker on black paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, # 17
Lucas Samaras (d. 2024)
1975 · Brush and black ink, black ink wash, and metallic-colored paint on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Pins)
Tara Donovan (d. 9999)
2004 · #17 steel dressmaker pins
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (17)
Gregory Crewdson (d. 9999)
2009 · Inkjet print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.