Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
217 ms. The Metropolitan Museum of Art, Collection API (Open Access)
472 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 118 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) (d. 1438)
1435–38 · Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Cleared · Public Domain
live
Untitled: Woman on horse (verso, right)
Raja Deen Dayal (d. 1905)
c. 1882–87 · Photograph, albumen print
Cleared · CC0
live
Ein new Modelbuch..., page 14 (verso)
Johann Schönsperger the Younger (d. 1550)
October 22, 1524 · Woodcut
Cleared · Public Domain
live
Managing staff of Meprs. Glover & Co. at Sindh Bridge (recto, top); Untitled: Woman on horse (verso, right)
Raja Deen Dayal (d. 1905)
c. 1882–87 · Photograph, albumen print
Cleared · CC0
live
Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso)
Marcello Fogolino (d. 1548)
1483–1548 · Pen and brown ink, brush and gray wash (the man on horseback), red chalk (the man's head at upper right) (recto); black chalk on blue-washed paper (verso)
Cleared · Public Domain
live
Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)
Francesco Furini (d. 1646)
17th century · Red chalk, highlighted with white chalk
Cleared · Public Domain
live
A peasant woman seated on a horse to left, facing right, surrounded by a herd of cows, goats, sheep, and dogs, from "Six Animal Subjects" (Six Sujets d'Animaux)
Stefano della Bella (d. 1664)
ca. 1643–48 · Etching
Cleared · Public Domain
live
Plate 3: two girls walking towards the right, seen from behind, a woman on a horse to right in background, from "Diversi capricci"
Stefano della Bella (d. 1664)
ca. 1648 · Etching
Cleared · Public Domain
live
Studies of a Reclined Woman on a Seashell, for the Triumph of Galatea (recto and verso)
Paolo De Matteis (d. 1728)
ca. 1692 · Brush and brown wash, over black chalk (recto); black chalk (verso)
Cleared · Public Domain
live
An Audience (recto); Sketch of a nude woman (verso)
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush with blue-green wash, over black chalk? on light tan paper. Fragments of brown ink framing outlines at left, top, right edges
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Woman on Steps]
Saul Steinberg (d. 1999)
1950 · Gelatin silver print with applied media
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, #313 [Woman Seated on Chair]
Seydou Keïta (d. 2001)
1956–57 · Gelatin silver print, 2001
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.