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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    145 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    261 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 161 matching records exist across the two collections.

Results for "Untitled (5/1/124)"12 records

Institutions answered newest-first by record, interleaved

Madonna and Child with Angels by Antonio Rossellino, The Metropolitan Museum of Art

Madonna and Child with Angels

Antonio Rossellino (d. 1479)

ca. 1455–60 · Marble with gilt details on halo and dress

Cleared · Public Domain

live
The MetSimilar
Spinario (boy pulling a thorn from his foot) by Severo Calzetta da Ravenna, The Metropolitan Museum of Art

Spinario (boy pulling a thorn from his foot)

Severo Calzetta da Ravenna (d. 1543)

first half of the 16th century? · Bronze

Cleared · Public Domain

live
The MetSimilar
Spinario (boy pulling a thorn from his foot) by an unrecorded maker, The Metropolitan Museum of Art

Spinario (boy pulling a thorn from his foot)

Unrecorded maker

first half of the 16th century? · Bronze

Cleared · Public Domain

live
The MetSimilar
Pope Clement X by Girolamo Lucenti, The Metropolitan Museum of Art

Pope Clement X

Girolamo Lucenti (d. 1698)

ca. 1670 · Bronze

Cleared · Public Domain

live
The MetSimilar
Tea chest by Abraham Roentgen, The Metropolitan Museum of Art

Tea chest

Abraham Roentgen (d. 1793)

ca. 1750–55 · Oak, cedar, veneered with rosewood; brass, iron, and steel

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
Crucifix on a Golgotha base by Giuseppe de' Levi, The Metropolitan Museum of Art

Crucifix on a Golgotha base

Giuseppe de' Levi (d. 1614)

ca. 1590–1600 (base), later 17th century (corpus), 19th century (cross) · Corpus: bronze, fire-gilt; cross and base: bronze

Cleared · Public Domain

live
The MetSimilar
Adam by Auguste Rodin, The Metropolitan Museum of Art

Adam

Auguste Rodin (d. 1917)

modeled 1880 or 1881, cast 1910 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

History of the Westminster Election, Containing Every Material Occurence, From Its Commencement on the First of April, to the Final Close of the Poll, on the 17th of May

Thomas Rowlandson (d. 1827)

1785 · Illustrations: etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Félix Vallotton, Biographie

Julius Meier-Graefe (d. 1935)

1898 · Illustrations: woodcuts and photo-reproductions of woodcuts

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (5/1/124)

Miroslav Tichý (d. 2011)

1950s–1980s · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.