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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    529 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 216 matching records exist across the two collections.

Results for "Untitled (Family Group of Six)"12 records

Institutions answered newest-first by record, interleaved

Plate 3, from "Small Flower Motifs" by Paul Androuet Ducerceau, The Metropolitan Museum of Art

Plate 3, from "Small Flower Motifs"

Paul Androuet Ducerceau (d. 1710)

ca. 1670–85 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 5, from "Small Flower Motifs" by Paul Androuet Ducerceau, The Metropolitan Museum of Art

Plate 5, from "Small Flower Motifs"

Paul Androuet Ducerceau (d. 1710)

ca. 1670–85 · Etching

Cleared · Public Domain

live
The MetSimilar
The Entombment of Christ by Luisa Roldán, called La Roldana, The Metropolitan Museum of Art

The Entombment of Christ

Luisa Roldán, called La Roldana (d. 1706)

1700–1701 · Polychrome terracotta

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief

Unrecorded maker

ca. 1802–1640 B.C. · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Six Figures Kneeling in Prayer (The Cornaro Family)

Francesco Bartolozzi (d. 1815)

1792–98 · Etching, printed in brown ink; second state of two (De Vesme & Calabi)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure of a lion

John Bell (d. 1880)

1845–55 · Stoneware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Family Group of Six)

István Szőnyi (d. 1960)

1921 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Water of the Flowery Mill

Arshile Gorky (d. 1948)

1944 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Friends)

Darrel Ellis (d. 1992)

ca. 1990 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Friends)

Darrel Ellis (d. 1992)

ca. 1990 · Watercolor over graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Mark Bradford (d. 9999)

2012 · Etching, photogravure, and chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Iya Ati Omo

Yinka Ilori (d. 9999)

2016 · Beech wood, enamel paint, brass, and cotton

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.