
Plate 3, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
529 ms. The Metropolitan Museum of Art, Collection API (Open Access)
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 216 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 3, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
live
Plate 5, from "Small Flower Motifs"
Paul Androuet Ducerceau (d. 1710)
ca. 1670–85 · Etching
Cleared · Public Domain
live
The Entombment of Christ
Luisa Roldán, called La Roldana (d. 1706)
1700–1701 · Polychrome terracotta
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relief
Unrecorded maker
ca. 1802–1640 B.C. · Limestone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Six Figures Kneeling in Prayer (The Cornaro Family)
Francesco Bartolozzi (d. 1815)
1792–98 · Etching, printed in brown ink; second state of two (De Vesme & Calabi)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure of a lion
John Bell (d. 1880)
1845–55 · Stoneware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Family Group of Six)
István Szőnyi (d. 1960)
1921 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Water of the Flowery Mill
Arshile Gorky (d. 1948)
1944 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Friends)
Darrel Ellis (d. 1992)
ca. 1990 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Friends)
Darrel Ellis (d. 1992)
ca. 1990 · Watercolor over graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Mark Bradford (d. 9999)
2012 · Etching, photogravure, and chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Iya Ati Omo
Yinka Ilori (d. 9999)
2016 · Beech wood, enamel paint, brass, and cotton
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.