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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    840 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Untitled (Huntsville, Alabama)"12 records

Institutions answered newest-first by record, interleaved

John Grimes by Matthew Harris Jouett, The Metropolitan Museum of Art

John Grimes

Matthew Harris Jouett (d. 1827)

ca. 1824 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Mrs. George P. Burne by John Wood Dodge, The Metropolitan Museum of Art

Mrs. George P. Burne

John Wood Dodge (d. 1893)

1852 · Watercolor on ivory

Cleared · Public Domain

live
The MetSimilar
Clipper Ship "Contest" by Frances Flora Bond Palmer, The Metropolitan Museum of Art

Clipper Ship "Contest"

Frances Flora Bond Palmer (d. 1876)

1853 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Floor Boards

Unrecorded maker

1800–1830 · Southern pine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Morning Attendance at the Mill School, Huntsville, Alabama

Lewis Hine (d. 1940)

December 1913 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

America Today

Thomas Hart Benton (d. 1975)

1930–31 · Ten panels: Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Barn and Trees) (recto); Tree and Stream (verso)

O. Louis Guglielmi (d. 1956)

1934 · Untitled (Barn and Trees) (recto); Tree and Stream (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled, from "American Abstract Artists Portfolio"

Ibram Lassaw (d. 2003)

1937 · Offset lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Huntsville, Alabama

William Eggleston (d. 9999)

ca. 1970 · Dye transfer print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Huntsville, Alabama)

William Eggleston (d. 9999)

ca. 1969–70 · Dye transfer print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Huntsville, Alabama)

William Eggleston (d. 9999)

ca. 1970 · Dye transfer print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Unclaimed Estates

Toyin Ojih Odutola (d. 9999)

2017 · Pastel with charcoal and graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.