Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
376 ms. The Metropolitan Museum of Art, Collection API (Open Access)
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,671 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled [Red Circle on Black, A/P XXIII)
Henry Pearson (d. 2006)
date not published · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horizontal Panel with Green Lines Forming V-Shaped Areas Filled with Decorative Flowers in Blue, Red and Yellow, Combined with Green and Yellow Latticework Above
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a brooch or a pendant with blue, green, yellow and black details
Fernand Chardon (d. 1930)
ca. 1925 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Red and Yellow Cliffs
Georgia O'Keeffe (d. 1986)
1940 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Stylized White, Gray and Yellow Flowers over a Black-and-Red Striped Background
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Yellow, Blue, White and Red Abstract Motifs over a Black Ground
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Red, Black and Green Abstraction)
John Murray Barton (d. 2000)
1957 · Color woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Red, Black and Green Abstraction)
John Murray Barton (d. 2000)
1957 · Color woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Red, Black, Yellow and Green Abstract Landscape)
John Murray Barton (d. 2000)
1957 · Color woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Ed Clark (d. 2019)
1966 · Acrylic on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Al Loving (d. 2005)
1971 · Acrylic on three joined canvases
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Ganesh Haloi (d. 9999)
ca. 1995 · Oil paint on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.