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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1784 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 106 matching records exist across the two collections.

Results for "Untitled (Self-Portrait after Museum Gua"12 records

Institutions answered newest-first by record, interleaved

Sketch for the Portrait of Tachihara Suiken by Watanabe Kazan, The Metropolitan Museum of Art

Sketch for the Portrait of Tachihara Suiken

Watanabe Kazan (d. 1841)

ca. 1823 · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Self-portrait of Richard Parkes Bonington by Frédéric Villot, The Metropolitan Museum of Art

Self-portrait of Richard Parkes Bonington

Frédéric Villot (d. 1875)

1847 · Etching with roulette

Cleared · Public Domain

live
The MetSimilar
Self-portrait by Sanford Robinson Gifford, The Metropolitan Museum of Art

Self-portrait

Sanford Robinson Gifford (d. 1880)

1853 · Oil on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of the Artist

Mary Cassatt (d. 1926)

1878 · Watercolor, gouache on wove paper laid down to buff-colored wood-pulp paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rembrandt Self-Portrait

Charles-Albert Waltner (d. 1925)

1906 · Etching; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait

Pablo Picasso (d. 1973)

1906 · Oil on canvas mounted on honeycomb panel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait

William Orpen (d. 1931)

ca. 1910 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Self-Portrait, "Collapse, with Lamp", Zakopane]

Stanislaw Ignacy Witkiewicz (d. 1939)

ca. 1913 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Self-Portrait II

Horace Pippin (d. 1946)

1944 · Oil on canvas, adhered to cardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled Self-Portrait

Eileen Agar (d. 1991)

ca. 1949 · Oil on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Francesca Woodman (d. 1981)

ca. 1980 · Diazotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Self-Portrait after Museum Guard Photograph)

Darrel Ellis (d. 1992)

ca. 1990 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.