
Two Birds
Totoya Hokkei (d. 1850)
1850 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
316 ms. The Metropolitan Museum of Art, Collection API (Open Access)
372 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12,700 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Birds
Totoya Hokkei (d. 1850)
1850 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
live
Two Birds
Ganjō Tengaku
dated 1869 · Hanging scroll; ink on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (two portraits)
Abraham Walkowitz (d. 1965)
ca. 1907 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (two drawings)
Reginald Marsh (d. 1954)
ca. 1931 · Black chalk and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Terry Haass (d. 2016)
1949 · Engraving, deep intaglio cuts, and soldered additions
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Marta Minujín (d. 9999)
1960 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Ed Clark (d. 2019)
1966 · Acrylic on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (Two Birds)
Audrey Sheldon (d. 1978)
ca. 1968 · Watercolor on ivory (?)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (two heads)
Mark Tobey (d. 1976)
1970 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Kazuko Miyamoto (d. 9999)
1977 · String and nails
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled [Two Tulips]
Lois Lane (d. 9999)
1979 · Aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (stylized trees)
Jangarh Singh Shyam (d. 2001)
ca. 1992 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.