Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    336 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 90 matching records exist across the two collections.

Results for "Untitled (Young Lady Seated)"12 records

Institutions answered newest-first by record, interleaved

Seated court lady by an unrecorded maker, The Metropolitan Museum of Art

Seated court lady

Unrecorded maker

8th century · Earthenware with tri-color (sancai) glaze

Cleared · Public Domain

live
The MetSimilar
Untitled (Young Lady Seated) by Albert de Belleroche, The Cleveland Museum of Art

Untitled (Young Lady Seated)

Albert de Belleroche (d. 1944)

1914 · Print, Lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Presentation Box by an unrecorded maker, The Metropolitan Museum of Art

Presentation Box

Unrecorded maker

first half of the 17th century · Carved red lacquer with gilded ground

Cleared · Public Domain

live
The MetSimilar
Portrait of a young woman seated by Thomas Gainsborough, The Metropolitan Museum of Art

Portrait of a young woman seated

Thomas Gainsborough (d. 1788)

ca. 1760 · Black chalk with touches of red wash

Cleared · Public Domain

live
The MetSimilar
Transplanting of Teeth by Thomas Rowlandson, The Metropolitan Museum of Art

Transplanting of Teeth

Thomas Rowlandson (d. 1827)

1787 · Hand-colored etching and aquatint; early state

Cleared · Public Domain

live
The MetSimilar
Lady Godina's Rout:–or– Peeping-Tom spying out Pope Joan, vide Fashionable Modesty by James Gillray, The Metropolitan Museum of Art

Lady Godina's Rout:–or– Peeping-Tom spying out Pope Joan, vide Fashionable Modesty

James Gillray (d. 1815)

March 12, 1796 · Hand-colored etching and engraving

Cleared · Public Domain

live
The MetSimilar
Portrait of a Seated Young Lady Drawing under a Tree by Firmin Massot, The Metropolitan Museum of Art

Portrait of a Seated Young Lady Drawing under a Tree

Firmin Massot (d. 1849)

late 18th–19th century · Black, red, brown and white chalk, brush and gray, blue and green wash, heightened with pastel; verso: black and red chalk

Cleared · Public Domain

live
The MetSimilar
Seated Woman, Back View by Egon Schiele, The Metropolitan Museum of Art

Seated Woman, Back View

Egon Schiele (d. 1918)

1917 · Watercolor, gouache, and graphite on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dressing for a Birthday

Thomas Rowlandson (d. 1827)

March 3, 1789 · Hand-colored etching and aquatint; second state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dressing for a Birthday

Thomas Rowlandson (d. 1827)

[1790] reissue April 1, 1796 · Hand-colored etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shepherd and Children

Deborah Sampson (d. 9999)

1818 · Silk embroidered with chenille and silk threads, watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Francesca Woodman (d. 1981)

ca. 1980 · Diazotype

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.