Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
904 ms. The Metropolitan Museum of Art, Collection API (Open Access)
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 46 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "La Barbe Bleue"), from "Les Contes de Perrault"
Hélidore-Joseph Pisan (d. 1890)
1899 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "La Belle Au Bois Dormant"), from "Les Contes de Perrault"
Adolphe François Pannemaker (d. 1900)
1899 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "La Belle Au Bois Dormant"), from "Les Contes de Perrault"
Louis Paul Pierre Dumont (d. 1885)
1899 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "La Belle Au Bois Dormant"), from "Les Contes de Perrault"
Adolphe François Pannemaker (d. 1900)
1899 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Jardin des Gobelins au Printemps, illustration for "La Bièvre, les Gobelins Saint-Séverin"
Auguste-Louis Lepère (d. 1918)
1901 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst (d. 1924)
ca. 1921 · Watercolor, graphite, gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst (d. 1924)
ca. 1921 · Watercolor and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Costume of 'La Bete' (The Beast) for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty)
Alexander Benois (d. 1960)
1927 · Watercolor, India ink, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Costume of Carabosse (Wicked Fairy Godmother), for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty)
Alexander Benois (d. 1960)
1927 · Watercolor, India ink, and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration for "La Belle Vassilissa" [The Red Knight passes Vassilissa in the Forest]
Boris Zvorykin (d. 1942)
ca. 1925 · Gouache, metallic inks, and black ink, heightened with white, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration for "La Belle Vassilissa" [The Stepmother and Step Sisters]
Boris Zvorykin (d. 1942)
ca. 1925 · Gouache, metallic inks, and black ink, heightened with white, over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustration for "La Belle Vassilissa" [Vassilissa and Grandmother before the Tsar]
Boris Zvorykin (d. 1942)
ca. 1925 · Gouache, metallic inks, and black ink, heightened with white, over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.