Wall barometer-thermometer
Lange de Bourbon (d. 1775)
ca. 1760 · Oak veneered with rosewood, gilt-bronze mounts
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
469 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Results for "Untitled (illustration for "Le Maitre Ch"12 records
Institutions answered newest-first by record, interleaved
Coin cabinet
Charles Percier (d. 1838)
ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. XII, page 98, 4.e vol.) depicting the Achilles Discovered by Ulysses, from "Les Metamorphoses d'Ovide..."
Nicolas Ponce (d. 1831)
1820 · Etching and engraving; third state of five (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. XIII, page 134, 4.e vol.) Aeneas flees burning Troy, while showing piety to his father by carrying him on his shoulders, from "Les Metamorphoses d'Ovide..."
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
1820 · Etching and engraving; second state of five (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. XIII, page 134, 4.e vol.) Aeneas flees burning Troy, while showing piety to his father by carrying him on his shoulders, from "Les Metamorphoses d'Ovide..."
Wilbrod-Nicolas-Magloire Courbe (d. 1807)
1820 · Etching and engraving; third state of five (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. XIII, page 122. 4.e vol.) Polyxena faints as she is brought before the tomb of Achilles and her sacrificial altar, from "Les Metamorphoses d'Ovide..."
Nicolas Ponce (d. 1831)
1821 · Etching and engraving; second state of five (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. XIII, page 122. 4.e vol.) Polyxena faints as she is brought before the tomb of Achilles and her sacrificial altar, from "Les Metamorphoses d'Ovide..."
Nicolas Ponce (d. 1831)
1821 · Etching and engraving; third state of five (Bocher)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "Le Maitre Chat, ou Le Chat Botté"), from "Les Contes de Perrault"
Adolphe François Pannemaker (d. 1900)
1899 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "Le Maitre Chat, ou Le Chat Botté"), from "Les Contes de Perrault"
Hélidore-Joseph Pisan (d. 1890)
1899 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "Le Petit Poucet"), from "Les Contes de Perrault"
Georges Léon Alfred Perrichon (d. 1907)
1899 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "Le Petit Poucet"), from "Les Contes de Perrault"
François Pierdon (d. 1904)
1899 · Wood engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled (illustration for "Le Petit Poucet"), from "Les Contes de Perrault"
Adolphe François Pannemaker (d. 1900)
1899 · Wood engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.