
Design for a Funeral Monument (Preparatory Drawing for a Print)
Johann Jakob Schübler (d. 1741)
1724–41 · Pink wash, pen and black ink with gray washes
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
549 ms. The Metropolitan Museum of Art, Collection API (Open Access)
360 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 491 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Funeral Monument (Preparatory Drawing for a Print)
Johann Jakob Schübler (d. 1741)
1724–41 · Pink wash, pen and black ink with gray washes
Cleared · Public Domain
live
Preparatory Drawing of a Ceiling for Etching, after Boucher Drawing
Jean Charles François (d. 1769)
mid-18th century · Red chalk
Cleared · Public Domain
live
Krishna killing the crane demon Bakasura. Preparatory drawing for Bhagavata Purana series
family of Manaku (d. 1790)
ca. 1780–90 · Brush drawing with opaque white on paper
Cleared · Public Domain
live
Preparatory Drawing for an Illustration of a Seventeenth-Century Dutch Tankard from the Demidov Collection
C. Prosdocimi
1879 · Pen and ink
Cleared · Public Domain
live
Preparatory Drawing for an Illustration of a Tankard from the Demidov Collection
C. Prosdocimi
1879 · Pen and ink
Cleared · Public Domain
live
Preparatory Drawing for a Warrior Print
Utagawa Yoshitora (d. 1880)
19th century · Woodblock print; ink on paper
Cleared · Public Domain
live
Study of a couple, preparatory for "La Famille" (The Family)
Virginie Demont-Breton
ca. 1882 · Charcoal
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vaslav Nijinski as the Golden Slave in Schéhérazade (preparatory drawing for a print)
Florence Wyman Ivins (d. 1948)
1910–23 · Watercolor over charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preparatory drawing of a London bus
Claude Flight (d. 1955)
1922–1934 · Watercolor and pencil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Of Human Bondage, Chapter 87 (preparatory drawing)
John Sloan (d. 1951)
1937 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled [preparatory drawing for a proposal for light sculptures on the construction site of the World Trade Center towers]
Forrest Myers (d. 9999)
1967 · Gelatin silver print and paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled [preparatory drawing for a proposal for light sculptures on the construction site of the World Trade Center towers]
Forrest Myers (d. 9999)
1967 · Silver gelatin print and paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.