
Reclining female figure
Guglielmo della Porta (d. 1577)
late 16th century · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
234 ms. The Metropolitan Museum of Art, Collection API (Open Access)
347 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 191 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Reclining female figure
Guglielmo della Porta (d. 1577)
late 16th century · Bronze
Cleared · Public Domain
live
Birdcage
Unrecorded maker
first half 18th century · Tin-glazed earthenware
Cleared · Public Domain
live
Two men wrestling
Ferdinando Tacca (d. 1686)
late 17th century? · Bronze, on later stone base
Cleared · Public Domain
live
Two women wrestling
Ferdinando Tacca (d. 1686)
late 17th century? · Bronze, on later stone base
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fragment of a frieze with seated figure at left, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan du Pantheon aujourd'huy la Rotonde, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Comus. A Mask
John Milton (d. 1674)
1858 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Félix Vallotton, Biographie
Julius Meier-Graefe (d. 1935)
1898 · Illustrations: woodcuts and photo-reproductions of woodcuts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled 4/1/91
Gerhard Richter (d. 9999)
1991 · Oil paint on chromogenic print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Mehlli Gobhai (d. 2018)
2010 · Mixed media on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Jasper Johns (d. 9999)
2018 · Ink on paper or plastic, 24 sheets
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Jacqueline Humphries (d. 9999)
2022 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.