
Closed yoke
Classic Veracruz artist(s)
600–900 CE · Basalt (andesite, feldspar/diopside[?]), iron oxide
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
463 ms. The Metropolitan Museum of Art, Collection API (Open Access)
305 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 84 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Closed yoke
Classic Veracruz artist(s)
600–900 CE · Basalt (andesite, feldspar/diopside[?]), iron oxide
Cleared · Public Domain
live
Tray (one of a set)
Doccia Porcelain Manufactory (d. 1896)
1745–47 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1
Rudolph Ackermann, London (d. 1832)
January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples
Cleared · Public Domain
live
Watch in the form of a human skull
Isaac Penard (d. 1676)
case ca. 1810–20, movement ca. 1650 · Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jackie Robinson, Third Base, Brooklyn Dodgers, from the "1956 Topps Regular Issue" series (R414-11), issued by Topps Chewing Gum Company.
Topps Chewing Gum Company
1956 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, Number 11
Ronald Bladen (d. 1988)
ca. 1956–59 · Oil on Masonite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Die gegenstandslose Welt
Kazimir Malevich (d. 1935)
1980
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled Grey Number 11
Lydia Dona (d. 9999)
1987 · Oil, enamel acrylic on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Jasper Johns (d. 9999)
2013 · Offset lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.