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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    297 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 112 matching records exist across the two collections.

Results for "Upper Paneling from a Sacristy Armoire"12 records

Institutions answered newest-first by record, interleaved

Sarcophagus of Harsiese by an unrecorded maker, The Metropolitan Museum of Art

Sarcophagus of Harsiese

Unrecorded maker

664–525 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Upper Paneling from a Sacristy Armoire by Giuliano da Maiano, The Cleveland Museum of Art

Upper Paneling from a Sacristy Armoire

Giuliano da Maiano (d. 1490)

c. 1460–75 · Furniture and woodwork, walnut, inlaid with holly and ebony

Cleared · CC0

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Cleveland Museum of ArtSimilar
Scenes from the Story of the Argonauts by Jacopo di Arcangelo (called Jacopo del Sellaio), The Metropolitan Museum of Art

Scenes from the Story of the Argonauts

Jacopo di Arcangelo (called Jacopo del Sellaio) (d. 1493)

ca. 1465 · Tempera on wood, gilt ornaments

Cleared · Public Domain

live
The MetSimilar
Saint Bernard of Clairvaux by Workshop of Fra Filippo Lippi, The Metropolitan Museum of Art

Saint Bernard of Clairvaux

Workshop of Fra Filippo Lippi (d. 1469)

ca. 1447–1469 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Scenes from the Story of the Argonauts by Biagio d'Antonio, The Metropolitan Museum of Art

Scenes from the Story of the Argonauts

Biagio d'Antonio (d. 1516)

1504 · Tempera on wood, gilt ornaments

Cleared · Public Domain

live
The MetSimilar
Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

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The MetSimilar
Cabinet by André Charles Boulle, The Metropolitan Museum of Art

Cabinet

André Charles Boulle (d. 1732)

ca. 1700 · Oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass; gilt bronze

Cleared · Public Domain

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The MetSimilar
Armoire by an unrecorded maker, The Metropolitan Museum of Art

Armoire

Unrecorded maker

ca. 1710–20 · Oak

Cleared · Public Domain

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The MetSimilar
Panel (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Panel (one of a pair)

Unrecorded maker

ca. 1725–35 · Carved oak

Cleared · Public Domain

live
The MetSimilar
Panel (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Panel (one of a pair)

Unrecorded maker

ca. 1725–35 · Carved oak

Cleared · Public Domain

live
The MetSimilar
Boiserie from the Hôtel de Cabris, Grasse by an unrecorded maker, The Metropolitan Museum of Art

Boiserie from the Hôtel de Cabris, Grasse

Unrecorded maker

ca. 1774, with later additions · Carved, painted, and gilded oak

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Large Armoire in the Art Nouveau Style

Georges de Feure (d. 1943)

ca. 1895–1900 · Graphite and watercolor

In copyright

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The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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