
Fragment from a door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,955 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment from a door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
live
Puppies, Sparrows, and Chrysanthemums
Nagasawa Rosetsu (d. 1799)
c. 1792–94 · Painting, Fusuma panel remounted as a hanging scroll; ink and slight color on paper
Cleared · CC0
live
Lower Part of the Door of a Tomb
Unrecorded maker
ca. 2051–1981 B.C. · Sycomore wood, gesso
Cleared · Public Domain
live
Upper Part of a Door Panel
Unrecorded maker
ca. 1473–1458 BCE · Wood (Abies sp. or Cedrus sp.), paint, linen, traces of gold, bronze or copper alloy
Cleared · Public Domain
live
Panel from a Door
Unrecorded maker
late 8th–first half 9th century · Wood (teak); carved
Cleared · Public Domain
live
Door Panel with 'Beveled Design'
Unrecorded maker
9th century · Wood (pine); carved
Cleared · Public Domain
live
Door panel (part of a set)
Unrecorded maker
first quarter 18th century · Carved and painted oak
Cleared · Public Domain
live
Door Panel; One of a Pair
Unrecorded maker
late 19th century · Wood; painted, gilded, and lacquered
Cleared · Public Domain
live
Door Panel; One of a Pair
Unrecorded maker
late 19th century · Wood; painted, gilded, and lacquered
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door (part of a set)
Charles Fairfax Murray (d. 1919)
ca. 1871 · Painted and ebonized mahogany, copper mounts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door (part of a set)
Charles Fairfax Murray (d. 1919)
ca. 1871 · Painted and ebonized mahogany, copper mounts
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door (part of a set)
Charles Fairfax Murray (d. 1919)
ca. 1871 · Painted and ebonized mahogany, copper mounts
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.