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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    220 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 242 matching records exist across the two collections.

Results for "VIEW/ FROM/ COENTIES-SLIP"12 records

Institutions answered newest-first by record, interleaved

Female figure by Ixtlán del Río artist(s), The Metropolitan Museum of Art

Female figure

Ixtlán del Río artist(s)

200 BCE–200 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
VIEW/ FROM/ COENTIES-SLIP by Thomas Dimmock & Co., The Metropolitan Museum of Art

VIEW/ FROM/ COENTIES-SLIP

Thomas Dimmock & Co. (d. 1859)

ca. 1828–ca. 1859 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Seated Woman, Back View by Egon Schiele, The Metropolitan Museum of Art

Seated Woman, Back View

Egon Schiele (d. 1918)

1917 · Watercolor, gouache, and graphite on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Great Conflagration of December 16th and 17th, 1835, as Viewed from Coenties Slip, New York

John H. Bufford (d. 1870)

1836 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Interior View of the Floating Church of Our Saviour for Seamen, New York

Louis Nagel (d. 1870)

1844 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of the City of New York from Brooklyn Heights, in 1798 by Monsieur C. B. de Julien de St. Memin with a Pantograph Invented by Himself

Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)

ca. 1850 · Engraving; first state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Corner of Peck Slip and Water Street, New York, 1857, from Valentine's Manual

Adam Weingartner (d. 1860)

1857 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Frame House, No. 7 Peck Slip, New York, in which Mr. D.T. Valentine passed his youth, from Valentine's Manual

Major & Knapp (d. 1888)

1865 · Color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

South Street, from Coenties' Slip

Charles Frederick Mielatz (d. 1919)

1898 · Lithograph on yellow paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Insight-V

Yoon Kwang-Cho (d. 9999)

before 1991 · Stoneware with white slip and ash glaze

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.