Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
414 ms. The Metropolitan Museum of Art, Collection API (Open Access)
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 277 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Charles Cholmondeley of Vale-Royal
Thomas Frye (d. 1762)
1756–62 · Mezzotint
In copyright
live
Vale of Kashmir
Robert S. Duncanson (d. 1872)
1867 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mr Braidwood & Brothers of the Rose Vale
John Kay (d. 1826)
1789 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Castle Howard, Vale of Ovaca
Samuel Bradshaw (d. 1880)
1842 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Views in Wales. The Vale of Neath
R. P Napper
1864 · Albumen silver prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Meeting of the Waters and Vale of Avoca
Robert Kelly (d. 1900)
ca. 1870 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sussex Vale, New Brunswick, Maine
Currier & Ives (d. 1907)
1868–78 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Vale of Clyde
Sir David Young Cameron (d. 1945)
1898 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cypress Vale
Ernest Haskell (d. 1925)
1915 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dromore Vale
Ernest Haskell (d. 1925)
1900–1925 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Verdant Vale
Berne Potter
1958 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shah Hamadan Dargah, Srinagar, Kashmir 1990
Ram Rahman (d. 9999)
1990, printed 2022 · Gelatin silver selenium toned print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.