
Tile with a fragment of a captive from the palace of Ramesses II
Unrecorded maker
ca. 1290–1224 BCE · Faience, polychrome
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 140 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tile with a fragment of a captive from the palace of Ramesses II
Unrecorded maker
ca. 1290–1224 BCE · Faience, polychrome
Cleared · Public Domain
live
Figure of an Asiatic captive
Unrecorded maker
ca. 1300–1080 BCE · Ivory, red and pink pigment, white ground
Cleared · Public Domain
live
Woman with a bound tress of hair in profile to right
Wenceslaus Hollar (d. 1677)
1645 · Etching; only state
Cleared · Public Domain
live
The White Captive
Erastus Dow Palmer (d. 1904)
1857–58; carved 1858–59 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile ornamented with a frieze of putti and sea creatures, from Vases à la moderne, plate 3, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile with a base in the form of a man straddling a sea chimera, from Vases à la moderne, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile with a base in the form of sea horses, from Vases à la moderne, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
published 1659 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile ornamented with a frieze depicting a Bacchanale, from Grands vases dans des bordures décoratives, plate 6, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile ornamented with Neptune in his chariot, from Vases, plate 1, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; undescribed state (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile ornamented with putti playing with a lion, from Vases, plate 5, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile ornamented with two winged lions, from Vases, plate 4, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase in profile with a captive bound to the neck of the vase, from Vases, plate 2, bound in Oeuvres. Vol. III
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.