![[Nijinsky in "Danse siamoise" from the "Orientales"] by Eugène Druet, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-38532-001.jpg)
[Nijinsky in "Danse siamoise" from the "Orientales"]
Eugène Druet (d. 1916)
1910 · Gelatin silver print
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
315 ms. The Metropolitan Museum of Art, Collection API (Open Access)
267 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![[Nijinsky in "Danse siamoise" from the "Orientales"] by Eugène Druet, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP-38532-001.jpg)
[Nijinsky in "Danse siamoise" from the "Orientales"]
Eugène Druet (d. 1916)
1910 · Gelatin silver print
Cleared · Public Domain
live
Vaslav Nijinsky in Scheherazade
Auguste Bert (d. 1945)
1913 · Photograph, Halftone photogravure
Cleared · CC0
live
Nijinsky (?)
Auguste Rodin (d. 1917)
modeled 1912, cast 1959 · Bronze, marble base
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Image from "Prelude à l'Après-Midi d'un faune"]
Adolf de Meyer (d. 1946)
1912 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Nijinsky in Le Spectre de la rose]
Rudolf Balogh (d. 1944)
1912 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Prelude à l'Après-Midi d'un Faune
Adolf de Meyer (d. 1946)
1914 · Collotypes
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Charlie Chaplin and Vaslav Nijinsky on the Set of Easy Street, December 1916]
Unknown
1916 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the 'Sultan Samarkand' for the Ballet 'Schéhérazade'
Léon Bakst (d. 1924)
1919 · Watercolor, graphite, and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst (d. 1924)
1922 · Watercolor and gold and silver paints over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vaslav Nijinski as the Golden Slave in Schéhérazade
Florence Wyman Ivins (d. 1948)
1910–23 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vaslav Nijinski as the Golden Slave in Schéhérazade (preparatory drawing for a print)
Florence Wyman Ivins (d. 1948)
1910–23 · Watercolor over charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile
Sarah Lipska (d. 1973)
1926–28 · silk, metal, glass
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.